In this series of glass sculptures, shapes appear to melt into the floor, suspended between solidity and dissolution. The work draws from the artist’s research into eroded floor-stone graves found in Dutch churches — black slabs whose once-clear carvings have been worn into near-abstraction by centuries of footsteps. Fascinated by this ambiguity and by her own slow process of becoming rooted in the Netherlands, the artist reinterprets those fading lines in glass. Through glass-fusing, the motifs liquefy, flatten, and blur, echoing both the weight of stone and the fragility of glass. The resulting forms honour local heritage while exploring symbolism, erosion, and the tension between permanence and impermanence.